Monthly Archive for October, 2009

Reading Max Blecher

I never wanted to speak again, so as to not shatter the world's meaning.

I’ve been away a lot with work this last month. When I’m away on my own, I catch up on my reading and, like everyone in unfamiliar places, I look around me more. One evening in Galway a few weeks ago, I was in the hotel bar, ready to have dinner and perhaps a drink or two before bed. I had a new book with me: Max Blecher’s Scarred Hearts.

Max Blecher, a Romanian, died in 1938. He was twenty-nine years old. When he was twenty-seven years old and dying of tuberculosis of the spine, otherwise known as Pott’s Disease, he wrote to his friend Mihail Sebastian:

“I tell myself that Jules Renard died in 1911. At a distance, death becomes so inconsequential. I just have to imagine that I too died a long time ago, in 1911. I’m not scared of death. Then I’ll rest and sleep. Ah, how well I’ll stretch out, how well I’ll sleep! Listen, I’ve begun to write a novel. But I don’t feel that I absolutely must complete it. If I die first, I don’t think I’ll even regret not having finished it. What a minor thing literature is for me, and how little of my time it takes up!”

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A month of my life and the writing of John Steinbeck

I took some depressing photos of street signs and buildings and then sat on a wall by a parking lot and smoked a cigarette

I throw up rarely and with great distress. It feels so unnatural. I envy people who can stick their fingers into their throats and heave at will. They’ll instantly feel better.

The last time I threw up was earlier this summer and I was convinced my whiskey had been spiked. It probably hadn’t. A voice called from outside the toilet cubicle where I was slumped:

“Helen, your boyfriend’s waiting.”

I was choking on acidic juices. I struggled for air and began to panic. There was no air left in the universe. I grabbed for the lock on the door. There were tiny stars.

“Can you check again if she’s in there?” I heard him ask.

“I checked, darling, she’s not answering.”

I took long, greedy breaths, coughing and spitting and breathing. He wasn’t my boyfriend. I wasn’t ready to come out anyway – my stomach and oesophagus contracted in unison and I threw up more whiskey and bile.

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Airport

Airport

The taxi drops me in an unfamiliar part of the airport, disorienting me for a moment. I didn’t even want to take a taxi – an enterprising driver pulled over at the coach stop and stole my business.

“Take you to the airport, love? Same price as the bus, seven euro. Same price, I promise you.”

It was four in the morning, my boyfriend had stayed up all night to walk me to the stop, and I figured that if I turned the driver down, the bus would be late, or break down. He already had two girls in the back, and stopped in Drumcondra along the way to pick up a man waiting outside the station. None of us spoke. It seemed rude to put on my headphones, so I listened to talk radio, advertising jingles and “The Whole of the Moon” by the Waterboys, which has always sounded dated to me. It reminds me of pubs where people play darts and eat chicken in a basket.

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Three comics: Bird watchin; The stik man jumpeth; The guru

The Way She Fly

Artist’s note: I started these pieces some years ago when I was working on a comic called Stickman. The idea was to create a simple character built from three lines (in the good old stickman tradition) and see how much personality and story could be written into these simple forms. Over time, the stickman changed and became integrated with more detailed work, although I tried to retain the simplicity with one-line drawings and no real backgrounds.

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From In the shadow of Burenwurst: sketches from Vienna, by H.C. Artmann

Now the beauty from Oberunter

If you want to know what the future has in store, only take a walk down to the Prater. There stands an ancient, highly useful machine gigantically, like an orchestra conductor. At any moment, music could begin, which might spin chirping and unwieldy, melancholy and fleeting, into the fresh green crowns of the nearby trees down the avenue, and delicately into the neverending tangle of leaves and branches of the distant Danube woods. Through a round bit of glass, there is a marvel of metal feathers and capsules, spirals and tiny gears, meticulously designed. Our terrible awe robs us of breath.

How far our technicians had come already in the year ’90! “Singularly original, authentic fortune-telling machine”: we need only trust the words to step up, lay down a left hand (and this is important, since it is linked straight to the heart, and thus to our reason and longing, which we Viennese go by instead of our heads), while the right hand puts the schilling on the metal tongue, and Zack! Away it goes…

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